On Art and Generosity

I’m rather behind the times, but because of this, there’s an interview with Kalbard on Youtube that can be found here: https://www.youtube.com/watch?v=s41LYSEECi0

I have long said that one of the best things about the SCA is the generosity of the artists. People in general, but it’s most notable when it comes to art.

This generosity is amazing. It really is. Mind blowing at times. Your friends, your chosen family, your kingdom, people you may or may not know put time, effort, money, and heart into creating works of beauty that we treasure. Pieces of art that we show off in our homes, on our bodies, in our everyday lives. Works that tell stories of great deeds, hard work, or even just special memories that can be as simple as a good day in the park with friends.

But it comes with a downside, and I think it’s not one that is spoken enough about. There’s an unspoken, or rarely spoken about, status quo for artists that indicates you should give gifts, you should be wiling to share your art, and as for getting compensation for it… well… that’s not necessarily a thing. You should do the art because you love it, and that should be enough. Additionally, saying no may not be something that artists feel they can do, because the requestor may take it poorly (if they even do take that answer) or because they feel that not taking it will hurt them in the long run.

Now, this doesn’t extend to things like trades. When both parties are making something the other will use, and each thinks they got a good deal? That’s something else. Also, if this doesn’t apply to you – and you’re able to churn out art regularly without having to worry about the emotional cost? Awesome! Carry on.


(I’ll also be the first one to say that I’ve been guilty of this – I’ve requested art of people and then didn’t properly acknowledge the person making it or try to reciprocate in some ways. I’ve been trying to learn from my mistakes and get better, and it’s a process. I’d like to think I’ve improved on my past mistakes, but I also know that I have a long way to go.)

(I’m also pretty sure I have some gifts/prizes that are buried in my workroom and unfinished.)

So what am I talking about? And why now? Well, much of it comes from having spent the last 12+ months following a lot of creative people in the mundane world, and some talking with SCA artisans. I think that much of the discussion that’s happened in the one sphere can carry over to the other. One thing that seems to be often discussed is that artistic endeavors are not properly valued by and large. And I do mean valued in a monetary sense. There’s a perception that it’s not as valuable because artists have other jobs, this is a hobby, or simply that some work is perceived as women’s work and therefore have less monetary value. (And no, I won’t be hearing arguments against that last one.)

What I’m talking about here is the culture of expecting art, or taking it for granted. Expecting that you’ll get certain art/scrolls/clothing/etc because of your status, or something that you’ve done. That artists have the time and ability to do the work that they are asked to do, without some form of compensation. And the idea that they’re going to be making art no matter what their personal limitations or problems may be does a disservice to everyone, and it’s nothing but harmful in the long run. for many of us, there’s an emotional (or at least psychological) element to creating art, and when that’s forced, it’s brutal and can be really hard to balance out. It eventually reaches a point of burnout, where it doesn’t make us happy, and it’s just a slog. (And eventually, tied into this, let’s talk the strangeness that can be the mindset for one who would like to become a Laurel and getting their work out there.)

Artists are humans, not machines. They have lives and jobs, and when not getting paid for that art, it may fall lower down on the list of priorities. This is fine. this is normal. This needs to be understood. Also, as we continue to take art for granted, artists will be less inclined to make more of it, because why continue to do work for someone that doesn’t appreciate it?

Over the years, I’ve heard stories about nearly killing oneself over clothing commissions to get no feedback/thanks/assistance, of people doing commissions because the person who requested it just couldn’t take no for an answer and then gets really pushy the longer it goes on, of getting asked to do things like largesse or commissions but not being offered anything in return and having it held against them when it’s not possible because of time/cost/etc.

So how do we handle this? Well, I think we need to start by talking about this. We need to have a very serious discussion that addresses the role of the artist and how they work. Artists need to feel comfortable with saying ‘no’, and people need to accept that as a final answer. When art is given or received, it should be appreciated and the maker needs to be asked what they’d like – is just word enough? Do they want art or something, or just favors to cash in later. We’re adults, and while we may not be good at our words, that doesn’t mean we can’t be better. At least we can always work on it.

This post is brought to you by years of hearing artists talk about how much time/effort/energy they’ve poured into projects only to get nothing as a thank you, or half a comment somewhere. And how utterly frustrating it is. I mention above having spent awhile listening/reading/etc non-SCA people talk about taking their work for granted, or undervalued. I think that all of us need to step back and contemplate how we interact with or function as artists, and see how we can help our fellows to enjoy making art, instead of dreading it.

For now, if you’re an artist – do something selfish, just for you. If you’re a commissioner/lover of art – buy something premade from someone who does good work and don’t question the price of it (unless you think it’s too low – then talk to the artist!). Buy it and show it off.

Nalbound Hat with Appliqué for Ceara of Novgorod

The final hat!

I’ve been promising this for too long, and here we go!

So, back in August, a request came to my Laurel that clothing be made for her sister-in-law, who was getting jump-laurelled. I was asked to make the hat, and while it’s been awhile since I finished any nalbinding, I was more than happy to do so.

With much cursing and frustration (I’ll be honest), the result is honestly one of my favorite things in the last few years.

Continue reading “Nalbound Hat with Appliqué for Ceara of Novgorod”

Let’s Talk Glass!

Some of the results of a week of intensive glass fun.

So, a few months ago, at the end of April, I learned how to make glass. It was more geared towards a studio setting, but there’s plenty of knowledge to be had and damn it, I’m still nearly overloaded on it. The reason for that is simple, and it’s the fact that I adore glass. I love it in all it’s forms, in how much you can do with it, and how varied the applications are.

Some of the photos and things I learned there are below. It’s caused some dangerous rabbit holes to start to form, and I can’t wait to see where things go from here.

Continue reading “Let’s Talk Glass!”

Glass Beads for Calontir Clothing Challenge Prize/Queen of Doom

Cleaned and ready to go!

With glass, I firmly believe that you can’t completely fall in love with anything you make until it’s out of the kiln. It’s a sure fire way to curse your work, and part of why I love glass so much. Beads in particular fascinate me, and so when the Calontir Clothing Challenge opened up, I decided to make some to give as a prize. What follows is some more information for the Queen of Doom’s Prize.

Continue reading “Glass Beads for Calontir Clothing Challenge Prize/Queen of Doom”

State of that Outfit…

And then I went off the deep end and ordered specific supplies…

When last we spoke, I stated I would *totally* finish a 14th century outfit by the end of January.

Yeah… that totally happened. Between the holidays, full-scale finishing another few projects, the SCA start date for in-person activities getting postponed, and the all powerful brain weasels… this did not happen.


But considering I was so eager for it, and I’m really looking forward to it, I decided that if I wasn’t going to finish, then damn it, I would make it better. Considering that all I’d done was sew most of the hood, it just needs edging as I’m not happy with what’s been done, and cut out the kirtle and shift, I had everything pretty wide open.

(Then I realized I’d already cut the kirtle out (except for gores), and things were looking much better.)

So now? I’m going to handsew the fucking lot of it. I’m thinking I’ll also partly take apart the hood and handsew a few things on it I’m not totally happy with (such as seam finishing). My tentative goal is the end of May, but if it’s earlier, I’ll be thrilled. I’m using it as an excercise in forcing myself to complete everything and take no shortcuts.

And it shall be most excellent.

and now for something completely different.

(and it’s not the bread documentation I still need to post from A&S)

The Kingdom of Calontir is hosting a clothing challenge!

Let’s rewind a bit here and explain.

Before everything hit, I planned to make a 14th century outfit for Estrella 2021. I bought the fabric early on in the whole covid-madness, and decided heck, this will be good.

I then, of course, proceeded to spend several months dealing with a bunch of other things, losing the crafting muse, enjoying that body changing that comes with stress, and just going ‘blarg, no, later’. Well, this challenge comes along, and so I’ll be doing it. Because the group motivation of such things helps, and I’ve got a plan that should help somewhat with the

So now, let’s talk about the plan!

Continue reading “and now for something completely different.”

Handsewn Viking Clothing from Birka

The second of my 2019 Kingdom Arts and Sciences championship entries was clothing.

In the documentation, I make note of the fact that I am thinking about taking apart some of the overdress. That is currently taken apart and in the pile of things to do when I have the brain to do it. This whole Covid situation as rather sapped my will to work!

I must also thank Lady Dominique de la Mer, without whom my documentation would not be nearly as nicely worded.

 

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As with much of my life, pug stalkers are a think.

Continue reading “Handsewn Viking Clothing from Birka”

Birka Gaming Pieces

When I planned for Kingdom Arts and Sciences 2019, I decided that I’d keep to a theme. For (something akin to) sanity, I decided on working with items from Birka. The following is my documentation for small glass gaming pieces based on finds from that site.

Looking back over it, I definitely need to work on the flow of my writing, and there are some changes I’d want to make. (I swear, when I talk about it, I sound less like a middle-schooler writing a paper.) The project is one that I’m pleased with, but definitely there’s room for improvement. I’m putting serious thought into getting a period-ish furnace up in my backyard as it cools, and then seeing how different it is there.

Of course, I could also just buy new ceramic sheets and use my hothead…

Continue reading “Birka Gaming Pieces”

Long Time, No See!

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It’s certainly been a chaotic time since I last updated this page, and there’s been quite a bit that’s happened on the art front. (Also personal, but let’s not go there.)

Namely, my utter love of glass has been renewed, and I’ve also been doing more research  into specific regions. Mostly looking at Northern Europe and Hedeby/Haithabu, but I’ve also been looking at Hallstatt. In general, it’s time to start working once more on the art and research and figuring shit out.

Onwards!